Throwback Thursday Trip Reports- Cuba- make her stop!- May 28, 2011

Sorry, and I keep wanting to tell you more.

In Cuba we went wherever we wanted and talked to whomever we wanted. The airport transitions, both coming and going, were where it got a bit tricky. Think of it as popping through the wardrobe into Narnia and back.
We are now in limbo, somewhere between the world of Cuba and the world of home.  Not knowing just when our charter flight would arrive or how long it would take us to get through homeland security, our little group had opted for an overnight in Miami.  Not only did this turn out to be unnecessary, our pre-Cuba planning had not gone beyond reserving rooms at the airport Hampton Inn.  So we find ourselves in that could-be-anywhere-in-the-U.S. terrain of strip malls, chain stores and eateries, parking lots, many lanes of traffic, etc.  After lunch in a Cuban restaurant (across the street and acres of the first parking lot we have seen in two weeks), we are unable to coalesce on any direction (all of which would involve expensive cab rides), and and barely leave the hotel.  In retrospect we could have rented a car and zipped off somewhere lovely and away, and it’s all fine. 
Our last afternoon in Cuba we visited Cobre, home of the Vigin de la Caridad,  one of the spots pilgrims visit, make offerings, etc.  She was found floating on the water in 1611 by three men in a boat (all named Juan) who brought her back to the mining town of Cobre.  Because she is mulatto and because the men were of different colors, she synchronizes with Oshun, the Santeria spirit associated with fresh water.  All a bit of mystery to me, and I guess that’s the point.  Bear in mind that Santeria and voodoo have totally different African origins, i.e. the enslaved people who brought them to Haiti and Cuba came from different tribes and different parts of the African continent. 
Cobre was most interesting to me because it was in a beautiful setting and because of the history of the cimarrons (or in English maroons), the enslaved peoples who worked in horrible conditions in the copper mines and eventually freed themselves and formed their own communities in this area.  In 1997 a monument to universal human liberty was erected on a hillside here.  It’s by Lescay Merencio, the same sculptor who created the monument we so admired in Santiago.  More rain, and we return to Santiago for the final dance class.  Mike and I retreat to the Casa de Traduciones, a local traditional music venue, where we find Raul and one of our drivers working on a bottle of rum.  Oscar soon joins them.
I think Mary has just written up the rest of the afternoon, and it is now time to check out and move slowly on towards home.

Toni

Throwback Thursday Trip Reports- Cuba- last music in Cuba- May 28, 2011

This one’s from Mary.  TK

Our airport hotel has free internet so you’ll have to “suffer through” two last

emails. Toni will give you the activites for our last day. I’ll tell you about
our last evening. As we’ve mentioned, one of our group is a pianist from New
Orleans, Tom McDermott, who loves Cuban and Brazilian music (my kind of guy!)
and was soaking up everything he could about the Cuban rhythms. Oscar, one our
Cuban guides in Santiago (Toni will explain more about him), arranged for Tom to
do a free concert for the different Santiago groups we’ve been visiting this
week. For a venue, he secured the birthplace of one of Cuban’s national poets
(sorry, forgot to get the name), which is now a museum. Like most Cuban and
Latin American houses, this was built around an internal courtyard and that’s
where the piano was. The house was 19th century and Tom specializes in
traditional New Orleans jazz and before, so a perfect setting. Tom choose
Spanish, Cuban, and New Orleans composers/ songwriters (eg.g.Domino, Jelly Roll
Morton),and did them in roughly chronological order, introducing each song in
Spanish first then English. It was a wonderful mini-overview of what we’ve been
hearing (minus the drums). Our dance instructors, Willian and Belkis,
and several of their students, i.e. our dance partner-teachers attended, along
with some other musicians. Tom’s concert was wonderful and folks in Prescott may
get to see him in June when we comes through town. But the big surprise was that
Oscar had also arranged for the members of a Santiago saxaphone quartet to come
and they did several songs after Tom’s set, including one habenero (dance tune)
that they convinced Tom to improvise with them on piano. For me, this
mini-concert, and particularly this improvised collaboration, sums up the
musical relationships between Cuban and American music. The influence has been
back and forth for centuries and I just know that once Cuban and American
musicians/dancers/artists have freer access to each other, there will be amazing
results. So fitting that our last music demonstrated this perfectly.

We all (including Ariana, Ocsar, & Raul) returned to our favorite palador for
our last dinner. Again, a fitting end. Our travel yesterday back to Miami was
basically uneventful, customs-wise, and we leave soon for the flight to Phoenix.
It’s been a fantastic experience and I’m glad we’ve had the opportunities to
share as we go. Toni’s photos will follow eventually. And for those who want to
hear the variety of CDs we’ve acquired, I’ll figure out a way to circulate them
or have a listening party! Hasta luego. MT

Throwback Thursday Trip Reports- Cuba- extracurricular thoughts- May 26, 2011

Some things I’ve missed-

Street vendors- Just like in Porgy and Bess, vendors from the country still roam the streets singing out their wares-  honey in re-purposed plastic bottles, oranges in horse-drawn carts. 

Micro garage sales- This morning Mary and I wandered around for a couple of hours.  When I told a taxi driver no thanks, we’re walking, he replied, ah, the exercise of all of Cuba! On busy streets it seems almost every home has a little “garage sale” going  on the front stoop.  Everyone we pass is carrying something- a bag of groceries, an alternator, a cake. 

La economia- Some days ago I asked Oscar what a sign like “la revolucion continua con Fidel” means today, 50+ years after. Oscar says people believe in the revolution and what it has meant for the Cuban people – health, social security, an end to racism, etc.- and the economy is a problem.  Older people may feel they have sacrificed too much for the revolution, yet nobody want to go back to how things were.  In Oscar’s opinion, the very centralized government stifles creativity and creative thought, and therefore is not good for the economy.  Like Lucila in Havana, he envisions a social democracy along the lines of the Scandinavian countries. 

Still confusing to me is how the 21st century economy works.  Raul tells me el commandante has eliminated the sugar industry, and Cuba now imports sugar.  Raul is distressed at this loss of cultural heritage.  Then there is the dual currency- Cuban pesos for most Cubans and CUCs for foreigners and the people who serve them.  That appears to create a privileged class of service workers who have access to the goods and services CUCs can buy.  My afternoon project is to be in Oscar’s car and hope to learn more about Cuba’s economy, both how it works and how it doesn’t.

Internet card is running out.  Photos next week. If you have specific questions about Cuba (or about CubaNOLA, the organization under whose auspices we are travelling), just ask.  I’ll do my best.

Toni

Throwback Thursday Trip Report- Cuba- Mas de musica de Cuba- May 26, 2011

This one’s from Mary. TK

As we were sending and checking email last night, we could hear music from the

hotel bar. So afterwards, we joined one of our group, Tom the New Orleans
pianist, to listen to this low-keyed but competent quintet do a selection of
standards from all over the Americas. Four of the guys sang and when they did
4-part harmony, it was beautiful. Not as powerful as Orfeon, but evocative
nonetheless. Their rendition of Michelle (Paul McCartney) was the most creative
I’ve ever heard. They had somehow realized that Tom was a pianist and requested
that he play a few tunes. The result was he and the quintets pianist have a
music date on Fri to compare notes. This might have been our last Cuban music,
unless we go out to a club this evening. But given early morning trip to airport
and the fact that music here starts around 10/11 pm, I doubt it. There is a plan
for Tom to do a concert for all the Cubans we’ve been going to see. He’s good
and may come to Prescott later this summer (watch the Library events). But I
think that the more interesting part will be who of the groups we’ve seen here
will come to his concert (as he says most free concerts are sold out!). It’ll be
a great way to say good-bye to folks.

This morning we walked back to the San Juan Hill monument. Bird-watching and
great normal-life street activity to observe. The birding has not been great
because of being in cities most of the time. Still, I’ve added 6 or so new
species to my list. I’ll get another chance when we go out of Santiago to the
famous cathedral. One other observation before I run out of internet time:
Because pedestrians do not have the right of way in Cuba, you practice defensive
street crossing instead of defensive driving! Luckily I got my training in New
York City! Next email likely from Prescott unless the airport hotel in Miami has
easy access. See you all soon. MT

Throwback Thursday Trip Reports- Cuba- Santiago de Cuba – May 25, 2011 #2

Santiago de Cuba continues to delight.  To my surprise, this morning’s visit to a rehearsal of Danza del Caribe, the modern dance company of Santiago, may well be the highlight of the trip.  The troupe rehearses in what appears to be the backstage of the auditorium where we attended the Cubadisco event some nights ago. Very young dancers guided by their director Eduardo Rivero.  I have never seen dancing like this- achingly beautiful, emotionally wrenching, totally engaging, amazingly athletic, and all within a few feet of us.  After the rehearsal/performance, Eduardo sat and talked with us about his life, how he selects and trains the dancers, and whatever else we wanted to know.  Several of the pieces were originally created and choreographed by others.  He puts his stamp on them.  Likewise moves originally from Martha Graham or Alvin Ailey.  Adding the Afro Cuban feel.  Before the talk Eduardo was a bit like my grandmother Gina prefacing a dessert with an explanation of why it wasn’t quite right.  In this case, one dancer was out with a toothache, another just back from an Australian vacation that involved too much eating, some of the boys and girls are very new to the troupe, etc, etc.

On to a Santeria ceremony.  Santeria is very different from the voodoo we participated in at Palmas.  The Santeria spirits are more synchronized with Christianity, and I believe we will understand this better when we visit the la Virgin de la Caridad in El Cobre tomorrow.  Lots of drumming, offerings, etc. All in the home of Maruchi, who later served us dinner in her lovely patio.  I bailed on dance class and stuck around for the conclusion of the Santeria ceremony.  It was all very informal with much wandering in and out.  

This may well be my last missive before we fly out Friday morning.  Perhaps Mary will expand more on la musica. Hope you haven’t received too much communication from us.  If we overwhelmed with too much information, feel free to delete unread

Love to all, Toni

Throwback Thursday Trip Reorts- Cuba- Santiago de Cuba- May 25, 2011

Tuesday was a lovely day.  A morning of visits to artists’ studios, “studio” here generally meaning the home of the artist.  We visited Botalin, Aguiglera, Lincoln Camue, Jorge Jacas and four younger artists who brought their canvases to the home of one.  We were surprised to see that artist’s two young daughters at home on a school day.  His wife said they were home because of the rain (light drizzle on and off all day).  Oscar explained this in Santiago many parents don’t want their children to walk to school in the rain and possibly catch cold.  Although we loved the Santiago landscapes of Botalin, our favorite was the ceramicist Jacas.  We bought some cappuccino cups and have hopes of raising funds to bring an amazing wall piece to the library as an intercambio cultural (or cultural exchange).  After lunch on to Conga las Ollas, a neighborhood drum group that has been in existence for over a 100 years.  They are more geared to parade (as in carnival) than performance, and it was an impressive wall of sound that included brake drums used as an instrument and something called a Chinese whistle that looks much like a toy trumpet.  On to dance lesson #2, a surprise to most of us, and it appears we will have two more before flying back to Miami on Friday.  Although I am still struggling, I believe I showed much improvement.  Other than staying on the beat (1-2-3 5-6-7) and learning to wiggle my shoulders (hopeless!), the sweet young men have to keep reminding me “the man is the boss.”  Freed from the camera, I take photos with my eyes and the occasional cell phone shot.  Too bad as the drizzly day made for lovely color and the street scenes were indescribably beautiful to me.  Toni

Throwback Thursday Trip Reports- Cuba- short addition to Monday’s email- May 25, 2011

This one’s from Mary.  TK

One extra treat–music, of course. At lunch on Tues–the rooftop palador

lunch–we had a concert by one of the Orfeon singers accompanied by a young
guitarist. She was one of the altos and had brought me to tears, literally, with
her rendition of Gracias a la Vida. Such emotion. She did a selection of
romantic standards and the guitarists did a couple of solo pieces, including one
from the famous Brazilian composer, Antonio Carlos Joabim. Nice interpretation.
Most interesting,however, was his guitar. It was an electric guitar with nylon
strings! No body to resonate the sound, just the outline of the guitar body.
I’ve never seen anything like it! He played it through an amp, just like any
electric, but it sounded and played like a classical. Cuban made. Who says
they’re behind technologically? Not when it comes to music!

The Santeria drumming group we saw yesterday, in contrast, was raw beat. Toni
will probably tell you more. I am enjoying the dance lessons and the head guy
keeps assigning me me the more-experienced male students–who are are real
teachers. It’s his method and it’s working, especially for Toni! Almost out of
internet. Until tomorrow. MT

Throwback Thursday Trip Reports- Cuba- Mas de musica de Cuba- May 19, 2011

This one’s from Mary.  TK

More on yesterday’s music, particularly about timba. In thinking about what

David (bass player) said about the economic conditions giving rise to the “more
aggressive” sounds and improvisation of timba, I realized that the best analogy
was to bee bop in the US. For us, Afro American jazz musicians were expressing
their anger, frustration and general “we aren’t going to take it anymore”
attitude through the stridence and dissonance of their music. But unlike punk,
another musical reaction/ expression to hard times, bee bop and timba are
complex musical expressions in comparison to the simplistic, 3-chords music of
punk. So the young jazz players (who don’t specialize in timba) are aware of and
building on the feeling of timba while they explore the jazz idioms.

The music of today was going to a recording studio where a trumpet-player friend
of Ariana (our tour organizer) was mixing his new CD. Looked state of the art to
me, but then it’s been awhile since I’ve recorded. He, too, was experimenting
with combining different genres–Cuban son with Brazilian with big-band jazz.
His was a softer, more “classical” sound, i.e. he was using classical horn,
woodwind and string instruments. The vocalist was absolutely stunning (vocally
that is–we didn’t see her), reminiscent of Sarah Vaughn and some Brazilian
female singers whose names I can’t remember. Again, there ws a clear Cuban
“feel”–wish I could explain that in words better–but not what we think of in
the Guantanamera/Buena Vista Social Club way. So enough of musings! Today was
mostly about artists, which Toni (I hope) will cover. We’ve acquired many
CDs–helping the local economy in our humanitarian mission! So here will need to
be a serious listening party for those of you who are music afficiandos! I see
that my internet time is running low, so off to the Tropicana. Yes, THAT
Tropicana! It’s kitch but it’s a historic institution in Cuba and a better deal
than Vegas. And it’s under the stars, open air. More on that another time. Love
to all. MT

Throwback Thursday Trip Reports- Cuba- Last Day in Havana- May 20, 2011

We went to the beach this afternoon!  Only four of us, plus Lucila and another Cuban friend of Ariana’s.  We were about 20 miles east of Havana.  Beautiful turquoise water, a nice breeze, and a lovely break from the city.  Had a wonderful conversation with Lucila about her 50+ post-revolution years.  Lucila was 16 in 1959.  When her family left for Miami, she stayed because she believed in the revolution.  Lucila was a professor of philosophy at the university until her department was closed when they strayed from Marxism as seen by the authorities.  What is fascinating to me is that she was able to switch fields and to this day is still a professor, only now of sustainable design and the like. Lucila’s daughter is a psychoanalyst in Paris, and she visits her there every year.

After our return, we went back to the studio we visited on Tuesday.  We were greeted like old friends and everyone was clearly delighted to see us back. This time it was rumba- very AfroCuban with lots or drums, dancing, call and response.   This particular version of rumba is also very sexually charged and the dance was amazing.  My last internet card is running out and we meet in the lobby at 4:30 a.m. tomorrow.  We here security on Cuban planes is even tighter than in the U.S.

More from Santiago (in eastern Cuba)  if our hotel has internet.   Can’t wait to share photos, video clips and all the wonderful CDs we have purchased.

Toni

Throwback Thursday Trip Reports- Cuba- Havana- May 19, 2011

Today was more art than music.  We visited three artists’ studios, each different, young and in their homes.  I’m searching for words, and the art was interesting, original, pleasing to the eye and intellectually informed with very sophisticated social commentary.  Better viewed through the photos you will will be able to see in a couple of weeks.   In an interlude between artists’ studios, we visited a rather post recording studio- Abdala- where Yasek Mansano, at young trumpet player friend of Ariana’s, is finishing up a CD featuring Janet Valdez. Yasik played us a couple of cuts and talked about what he is doing with his music.  Their names are worth remembering, both for the quality of the music, and because Yasik will be teaching at Stanford this summer, and if he tours and if you have the opportunity to hear him, you should.

Lunch was at a Palador called Cocina de Liliam.  Liliam is the chef and the paladors is in her home.  As I understand it, paladors are a growing part of the Cuban economy, and only lately have been required (or perhaps allowed) to pay into the social security system for their employees (mostly family members).  This was our best food to date in Cuba- delicious, beautifully presented, with lots of color and flavor.  All the tables were in lovely patios around the house.  People warned us not to expect much of Cuban food.  This was a restaurant I would visit a lot if it were in Prescott! 

I’ve been curious about how access to information (my stock in trade) works in Cuba.  Here’s my understanding of the moment.  There is an isolation from U.S. books and music, more because of the infrastructure (and perhaps the blockade) than because of censorship on the part of the Cuban authorities.  If people have internet at home, it’s dial-up and hardly suited to downloading music or books.  Hotel internet costs six CUCs (a little more than $6) an hour and is well out of the reach of most Cubans.  If you come to Cuba, a good gift might be a flash drive with lots of memory for transferring information and music.

A quick side note- We’ve seen a couple of large urban gardens, maybe community gardens, maybe truck farms, and Lucila said Cubans who have space to grow, do.  

Tonight five of us have reservations for the show at the Tropicana.  Kind of a splurge and who knows when we will have another opportunity to see the show that inspired the big Las Vegas reviews.  Tomorrow some free time, then the beach east of Havana.  Saturday we leave the hotel at 5 a.m. for our flight to Santiago de Cuba.

Toni